Rome Essays - Kings Of Rome, Roman Mythology, Julio-Claudian Dynasty

Rome Rome is an ancient city located on the western coast of Italy by the Meditterranian Sea.(3:289) The city of Rome was founded, according to the legend, by Romulus in 753 BC. Remus and Romulus were two mythological sons of Mars, the god of war. "T hrough military expansion and colonizations, and by granting citizenship to conquered tribes, the city joined all of Italy south of the Po in the 100-year period before 268 BC." First, the Latin and other tribes were joined, then the Etruscans (a civili zed people north of Rome) and the Greek colonies in the south. "With a large army and several hundred thousand in reserve, Rome defeated Carthage in the 3 Punic Wars, 264-241, 218-201, 149-146, (despite the invasion of Italy by Hannibal, 218), therefore gaining territory in Spain and North America."(1:721) New provinces were added in the East as Rome exploited local disputes to conquer Greece and Asia Minor in the 2d century BC and Egypt in the first (after the defeat and suicide of Antony and Cleop atra, 30 BC). All the Mediterranean civilized world up to the disputed Parthian border was now Roman, and remained so for 500 years. " Less civilized regions were added to the Empire: Gaul (conquered by Julius Ceaser, 56-49 BC), Britain (43 AD) and Dacia , NE of the Danube (117 AD)."(1:721) " The original republican government, with democratic features added in the fourth and fifth centuries BC, deteriorated under the pressures of empire and class conflict (Gracchus brothers, social reformers, murdere d 133,121; slave revolts 135,73). After a series of civil wars (Marius vs. Sulla 88-82, Caeser vs. Pompey 49-45, triumvirate vs. Caesar's assassins 44-43, Antony vs. Octavian 32-30), the empire came under the rule or a defined monarch (first emperor, Agu stus, 27 BC-14 AD). Provincials (nearly all granted citizenship by Caracalla,212 AD) came to dominate the army and cival service. Traditional Roman law, systmatized and interpreted by independant jurists, and local self-rule in provincial cities were su pplanted by a vast tax-collecting bureaucracyin the 3d and 4th centuries. The legal rights of women, children, and slaves were strenghtened."(1:721) Roman innovations in civil engineering included water mills, windmills, and rotary mills and the use of cement that hardened under water. Monumental architechture (baths, theaters, apartment houses) relied on the arch and dome. "The network of roads (some still standing) stretched 53,000 miles, passing through moutain tunnels as long as 3.5 miles. Co nceived in 312 BC, the 360 mile Appian Way was a superhighway that the Romans traveled from Rome to Caupa, in Campania...The road took about 10 to 15 days to travel...It was considered the Queen of roads by the Romans, but it is a "l'il ole road" by moder n standards." Aqueducts brought water to cities, underground sewers removed waste. Some of the sewers were so well built, they are still in use today.(2:715) Roman art and literature were derivative of Greek models. Innovations were made in scul pture (naturalistic busts and equestrian statues), decorative wall painting (as at Pompeii), satire (Juvenal, 60-127), history (Tacitus, 56-120), prose romance (Petronius, d. 66 AD). Violense and torture dominated mass public amusements, which were suppo rted by the state. "Rome was first settled around 800 BC. Most of the streets in the time of the Roman Empire were narrow and crooked. Some were very dirty. Some parts of the city were wide and beautiful with white marble buildings, great columne d pourches, and triumphal arches. Anciant Rome had the population of modern Rome. The centers of Roman life were open places where public meetings were held. Such a meeting place was called a forum. One of these was so much more important than the oth ers that it was called the Roman forum. The long, narrow Roman Forum was also the market place of the city. The temple of Jupiter Capitolinus was the oldest and most sacred temple of Rome. "Historians beleive that Rome once had as many as three hund red temples. The best known of these was the Pantheon, which was the temple to all the gods. The Pantheon became the Christian Church of Santa Maria Rotonda in 608 AD.This circular domed church is today is the most perfectly preserved of all the anciant roman building."(1:721)

Bio of a Space Tyrant essays

Bio of a Space Tyrant essays Piers Anthony's epic novel Bio of a Space Tyrant acts as a macrocosm of the treatment of refugees and their journeys to freedom. At the time of its creation in the early 1980's, the novel represents the Vietnameseboat people? more specifically, but can still stand for what refugees of all times and from all parts of the world have gone through and continue to go through. Through five volumes, the main character, Hope Hubris, progresses up the societal chain of power, starting as an impoverished refugee fleeing from his home on Callisto and eventually rising up to become President of the United States of Jupiter. It is needless to say that a refugee, even in contemporary America, could never rise to the highest position in the government, however, the novel serves to show that Hope Hubris could work extremely hard to break the pattern of harsh and unfair treatment of refugees, at least for a brief moment in time. The first volume in the series, Refugee, focuses on Hope's difficul t life as a refugee and his emigration to the futuristic United States. This volume shows Hope Hubris and his family as a part of aboat people? community escaping their homeland. ?After the fall of Saigon in the summer of 1975, hundreds of thousands of people began fleeing [Vietnam] for fear of political persecution. They were all secretly escaping the country in small, rickety, and un-seaworthy wooden boats? (?Vietnamese Boatpeople Connection?). In Vietnam, the boat people were escaping the Communist rule that was left after the end of the Vietnam War. The boat family in the novel was also escaping political persecution. Due to the Hubris? low place in society, when Hope got into a fight over his sister's safety with a scion who had a much higher place in society, the family was evicted from their home and forced to start all over again from scratch. Then, when they were leaving their homeland, Callistan authorities followed them: The nether ha...

Frames paper incorporating Lee G. Bolman and Terrence E. Deal's four Term

Frames incorporating Lee G. Bolman and Terrence E. Deal's four frameworks - Term Paper Example Production factors are vital to the manager, since the company cannot enter the market without a product to offer. Labor, premises, raw materials, and machinery are the major factors. Similarly, the company considers its market segments and determines the number of competitors and customers and the relationship between the two groups. The company further researches to establish all the relevant stakeholders in the micro and macro environments (Bolman & Deal, 2008). The following cites a comprehensive framework of the above-mentioned factors in relation to that of Bolman and Deal. Our most important tool of management is labor. Labor comprises of all employees that help in effecting the product manufacturing process. Employees show different behaviors, beliefs, and attitudes relative to their different cultures and societies. This brings forth a state of confusion on how to coerce their differences for the company’s benefit. As the manager, I maintain a distinct culture that me ntors all employees’ characteristics to target towards achieving organizational goals and objectives. I ensure that employees abide by the code of conduct at the result targets to mutual benefits. Conflicts among employees are a common lyric in every organization thus; the management intervenes and rules out in accordance to the code stipulated by the organization. When these conflicts involve employees and the organization, the management has to find a solution before operations come into halt. As the manager, I practice the spirit of motivation, that is, in influencing a person to perform a given task either by use of a positive measure or a negative one. To the company, motivation plays the most pivotal role as it affects performance of the set goals. Giving employees more than just monetary incentives, will similarly improve their performance and the outcome is that the company will achieve its objectives. Therefore, the importance of motivation is to enable workers sense that they are part of the organization. I believe in motivation as it eases unnecessary fears amongst the employees. The company’s statistics reveal that workers perform poorly under oppression as compared to when motivated. This is because; they have the duty to carry out all tasks, irrespective of whether machinery or manual operations. The essence is that, no matter the employees competence to a task, shortcomings may arise due to monotony, frustration, and oppression. As a manager, I should engage in motivation, and must try to curb behaviors that tend to mislead the company, and practice behaviors that will gear up progression and prosperity. Bearing in mind that, every set of human beings does exhibit distinct cultures, the management should observe and tame that culture which favors the company. Culture comprises of personal beliefs, attributes, needs, and behaviors. On addressing these issues properly, the company pursues its objectives and strategically beats compet ition. I believe in addressing issues in a friendly way and welcome views from the employees. I believe in avoiding ideologies of drawing attention from the employees that they should recognize me by my position. Every company has a mission and vision in its business field. Therefore, to come up with the best results of production, I consider the goals and objectives of the company. For example, the company’s mission is to enhance economic growth and customer satisfaction, the products entice consumers to feel

Event this week Assignment Example | Topics and Well Written Essays - 250 words - 1

Event this week - Assignment Example This Greek government has fallen into conflict with other European countries after failing to honor previously set agreements. Moreover, there is a plunge in oil prices. This plunge will affect the British economy if it persists since the foreign exchange created by the sale of petroleum products will fall to low levels. The drop in the oil prices has brought a crisis in many oil-producing countries due to the low concentrations of income generated. It has also brought confusion in Futures markets and international stock exchange markets. Trading in oil and its products is becoming unpredictable and economically risky (Malcolmson, 2014). This collision with Greece implies that Britain will have one less trading partner. This change calls for urgent economic policy modifications and analysis to evaluate the best ways to move forward after the exit of such a crucial player in the Eurozone. An EU summit is expected to resolve this issue and come up with a reasonable solution (Fahrholz, 2007). This decision will affect the economic relationship of Greece with other countries that trade with Britain and other European nations. Some friends of Greece might decide to support them and break their trading ties with other European countries if Greece pulls out of the Eurozone. Others might decide to break their ties with Greece by weighing the benefits they will get when they trade with Britain, compared to trading with Greece only. This event helps students undertaking this course to understand the need of trading partners. It also touches on the effects of breaking trading ties due to failed contracts. The reading of a budget is essential in understanding and explaining a country’s current economic status. It also outlines future economic prospects and their intentions towards developing the country’s economy. Nick, F. (2015, March). Budget 2015: Oil Prices and Greece Threaten British Economy. The Guardian. Retrieved from

How can microeconomics help small business owners Essay

How can microeconomics help small business owners - Essay Example Microeconomics derived from the Greek word â€Å"mikros† which means small, deals with a part of the economy rather than the whole. It deals with total output, total employment, total spending but in relation to single firms and single households. Microeconomics seeks to understand the individual consumer, the buying decisions that are made at this level and the different factors that affect the consumer behavior. The subject matter of microeconomics is mainly commodity pricing, factor pricing and welfare theory. Commodity pricing entails how prices of commodities are affected by market forces of demand and supply. The price of commodities usually determines the demand of the products by the consumer. Factor pricing are the determination of rewards for the different factors in the production process that include land, labor, and capital. These earn the business rewards in terms of wages, rents, interest and profits. Welfare theory explains the optimum allocation of resources in order to maximize utility. It is therefore crucial for small business owners to understand more about the consumers and different factors that affect the spending behavior of consumers such as price of products, income and supply Any business whether start-up or on-going needs to undertake a research of the market and actually draw up its business plan before starting operations. This gives the business its objectives and goals and provides sense of direction in the market. The following are some of the ways in which micro economics aids small business owners achieve their business goals and objectives: Understanding the individual behavior of the consumer. Consumer decision making is the most critical aspect of the micro economics as consumer spending makes up the highest part of the economy. Consumers after spending usually save surplus invest and put away for future use. Microeconomics determines how much a household save, for how long and

The Life Of Walt Disney Film Studies Essay

The Life Of Walt Disney Film Studies Essay When he arrived back to the United States, Walt moved back to Kansas City where he worked on several different jobs as a commercial artist and a cartoonist. One of these jobs was a temporary contract with the Pesmen-Rubin Art Studio where he created ads for newspapers, magazines and movie theatres. It was at the Pesmen-Rubin Art Studio where Walt met Ubbe Iwerks with whom he set up Iwerks-Disney Commercial Artists, which Disney soon left and began working at Kansas City Film Ad Company where he made cut out animation commercials. Disney decided he wanted to become an animator, he read a book called Animated Cartoons: How They Are Made, Their Origin and Development through which he learned about cel animation which he found to be much more promising then cutout animation. He was allowed to borrow a camera from work to experiment at home. He recruited fellow Kansas City Film Ad Company employee, Fred Harman as his own first employee and the two secured a deal with local theatre owner F rank L. Newman to screen their cartoons which they titled Laugh-O-Grams. The cartoons were hugely successful in the Kansas City area and from their success Disney was able to set up his own studio also called Laugh-O-Gram and also hire a number of animators including Fred Harman and Ubbe Iwerks. The company soon went bankrupt as the studios profits were unable to pay for the animators high salaries and Walt was unable to manage the money. After the failure of Laugh-O-Grams, Walt set his sights on Hollywood, where he met up with his older brother Roy and using the twos collective funds they set up a cartoon studio. At this stage a New York distributor Margaret Winkler signed a deal for some live-action/animated shorts based upon Alices Wonderland, which Walt had worked on in Kansas City with Iwerks. Walt and Roy had now set up Disney Brothers Studio, a single story building on Hyperion Avenue, LA where the company remained until 1939. The Alice Comedies were quite successful until finishing up in 1927 by which time the focus was mostly on the animated characters in the series rather than the live action Alice, especially Julius, a black cat that resembled Felix the Cat. In 1925, Disney had hired Lillian Bounds to ink and paint celluloid, Walt dated Lillian for a brief time and two got married in the same year. In 1927, Margaret Winklers husband, Charles B. Mintz had taken over her business and ordered Disney Studios to make a new animated series to be distributed through Universal Pictures. Oswald the Lucky Rabbit was the new series and was an instant success. Oswald, a character drawn and created by Iwerks became a popular figure. The company was doing so well that Walt hired 4 more animators. In February 1928, Mintz and Disney met to discuss a new fee for the shorts. Disney was looking for a higher payment but Mintz informed him that not only was he reducing the fee per short but that he had taken most of his main animators (except notably Iwerks) under contract and could begin his own studio if Disney did not accept the cuts and that Universal, not Disney, owned the trademark of Oswald the Rabbit so they could continue to make the films without Disney. Disney declined Charles Mintzs offer and lost the majority of his animation staff and his beloved Oswald the Rabbit. After losing Oswald, Walt Disney felt like he needed a new approach to his cartoons and new character to replace Oswald. The new character was based on a mouse that Walt had adopted as a pet while working in Kansas City. Ub Iwerks took Disneys rough sketches of the mouse, making it easier to animate. The mouse was originally called Mortimer, but later christened Mickey by Lillian Disney who thought the name Mortimer was too stiff and convinced him to go with Mickey instead. Mortimer later became Mickeys rival for Minnie. Mickey first starred in two silent films called Plane Crazy and The Gallopin Gaucho, both these films failed to find a distributor. By this time other film studios in Hollywood had began using sound in their movies and after Walt had seen The Jazz Singer, the first movie with sound, Disney decided to make the fist all-sound, talking and music cartoon with Mickey Mouse starring as Steamboat Willie which was distributed by Cinephone (1928). Eight years later, in 1936 c ritics and fans all over the world agreed that Mickey Mouse was the most recognized figure on the planet. It was Walt himself that provided Mickeys voice until 1946. Although he had stopped actually drawing the cartoons himself in 1927, Disney relied on his animators to implement his ideas which included launching many other successful cartoon characters over this time including Donald Duck, Goofy and Pluto. In 1932, Disney received a special Academy Award for the creation of Mickey Mouse. Disneys Success continued to soar throughout the 30s and 40s, with 1937 1941 being known as The Golden Age of Animation. In 1934 Disney began making plans for a full length feature animation, Snow White and the Seven Dwarfs with an estimated budget of $150,000 that ended up costing Disney $1.5 million. The studio actually ran out of money mid 1937 and had to show a rough cut of the film to loan officers at the Bank of America who gave them money to finish production. The premiere on the 21st December 1937 was met with a standing ovation. The film was released in February 1938 and earned over $8 million on its first theatrical release, at a time when the average ticket price was 25 cents. On the success of Snow White, Disney was able to build brand new studios in Burbank, which opened for business in December 1939. Over the next four years, Disney produced Pinocchio, Fantasia, Bambi and Dumbo and early production work had started on Peter Pan and Alice in Wonderland. Although the ear ly forties proved difficult for Disney as many of the top animators went on strike. Personal Politics Throughout his life Walt Disney gave off the perfect public persona, but Walt has had many critics during his life and since his death. In the studios in Hyperion Ave, his employees knew him as Uncle Walt which at the time was a term of endearment and it seemed like a privilege to them not to have to call their boss Sir or Mr. Disney. The animators worked long hard hours to meet Disneys high standard of perfection, Everybody loved the studio, everybody joyfully worked over-time putting in all the hours needed without any pay, everybody liked each other and liked Walt Bill Melendez, animator at Disney Studios 1937-1941. But when the studios moved to the new location at Burbank, Disney introduced a high degree of specialization among his work force transforming animation into a production line process, here at last was the rationally planned factory Disney had dreamed of. Walt showed off the studio is a film called the reluctant dragon in which smiley white coated worked go happily abo ut their day. But reality at the new studios wasnt all that it seemed. The workers had been promised that the move from Hyperion was good for them as well as Walt, but this was not the case, in fact some workers fell that is was in some ways a deterioration in their working conditions. Marie Beardsley was one of the artists who made the move everything was segregated, everything got too big and too impersonal and I think thats where the trouble started. Through using this factory like method in the studio had created a hierarchy of jobs, at the top being the animators, all male and all hand picked by Disney beneath them was hundred of inkers and painters, who coloured in the thousands of pictures that made each scene. They were all women. Marie Beardsley said it probably never even occurred to Walt to put a man in the inking and paintingà ¢Ã¢â€š ¬Ã‚ ¦ That was demeaning work, she recall supervisors walking around and standing behind and other women to see how well they were inking and how fast they were painting. They were timed to see were they worth keeping on. Bill Melendez recalls Walt saying that women were Ok to be used in a menial capacity because once they reached the age of thirty the hand got shaky so it was time to get rid of them. Things had changed in the new studio and Disneys increasingly tyrannical style of management meant for some that the words Uncle Walt took on a much more sinister meaning. Disney was unusually straight-laced for a Hollywood big shot; Marie Beardsley recalls a memo being sent around to all the girls in inking and painting saying that The married men in Disney were happily married and we want all of the girls to understand that, he disliked any sort of sexuality or even socialising amongst his employees. He and Lillian were together for forty years until his death and no one at Disney Studios recalls him ever showing any interest in any other women. He actually told one of his animators that he loved Mickey Mouse more than any girl hed ever known. On Walts 35th Birthday two of the animators made a film of Mickey and Minnie consummating their relationship, at the end of the film Walt stood up and said that it was great animation, he then asked who had made it, the animators who made it stood up and Walt fired them on the spot. Case Study: Disney Corporation vs Fitzpatrick In 2001, Denise and Francis Fitzpatrick, a young professional couple from Ireland did the impossible and defeated The Walt Disney Company in a legal battle over the rights to the name of their character Piggley Pooh for a TV series they wanted to develop. In 1999 Denise and Francis received a letter from Disney saying that the company was opposing their application for the trademark of Piggley Pooh in Europe because of Disneys character Winnie The Pooh. The Fitzpatricks faced an almost 3 year long battle with one of the biggest entertainment corporations in the world. In which they became emotionally, physically and financially broken. Winnie the Pooh is character from books written by A.A Milne in 1926.in 1930 Steven Slesinger purchased the rights to Winnie the Pooh from Milne for a $1000 advance and 66% of Slesingers income, by November 1931 Slesinger had turned Winnie the pooh into a $50 million a year business. Walt Disney bought Winnie the Pooh off Slesinger in 1961 and was paying twice yearly royalties to A.A Milnes beneficiaries until 2001 when they paid a lump sum of $350 million. The lump sum was spread out between the Royal Literary Society, the Westminster School and the Garrick Club and family of A.A Milne. Winnie the Pooh now raises at least $6 billion revenues for Disney each year. As a young girl on her grandmothers farm in Co Meath, Denise had a fascination with the pigs that were there, she used to visit them every time she was on her grandmothers farm and loved to make up stories about them. The main character in all her stories was Piggley Pooh. Denise says she had never heard of Winnie the Pooh or Piglet or any of the animals in 100 Acre Wood during her childhood in the 1960s and 1970s, like most Irish children she read Enid Blyton and other English wirters. Her imagination ran wild throughout her childhood as to what this marvellous little Pigley Pooh would be getting up to. Denise also had a love for stories from Celtic mythology and old Irish seanchaà ­s throughout her life. This is what she wanted the Piggley Pooh TV series to be based on, a simple story for children, with a moral lesson behind it. Disney were adamant the Fitzpatricks stop the production of the Piggley Pooh TV series, or at least change the name, something Denise was thoroughly against, she would not even hear of having the h at the end of pooh dropped. After the letter in January in 1999, they decided not to let the giant corporation ruin Denises childhood dreams. Piggley Pooh was already a registered trademark in the U.S, but they were objecting to the name becoming a registered trademark in Japan and Europe. Francis met with their Trademark Agents who were quite confident that they has a pretty strong case. Disney were trying to prove that their ownership of the name Winnie the Pooh was being stolen by the use of the word pooh in Piggley Poohs name. In 2000, Denise and Francis flew over to L.A for a meeting with Steve Ackerman, Disneys chief counsel worldwide. After many attempts to postpone their meeting, Francis arrived at the Burbank Studios where Ackerman showed up 40 minutes late for their meeting without a word of apology. Ackerman straight out told Francis that the problem they had was one of theft, they had stolen two names from Disney. Pooh and Piglet. Although they had slightly altered Piglet, they had still put it side by side with Pooh, and hoped to make millions from it. This is what the Disney Corporation thought about Francis and his wife and family and it looked as if they were not going to stop at anything to get their names back. The meeting was a hostile one, with Ackerman claiming that Disney could prove that there were Winnie the Pooh books in circulation in Ireland at the time of Denises childhood. Francis was called a thief many times and an Irish bastard. But things came to a head when Ackerman threatened the Fitzpatricks children Listen Francisà ¢Ã¢â€š ¬Ã‚ ¦ Youre not going to get the better of the Disney Corporation. Nobody gets the better of Disney. We got the recourses. We got the time. We got right on our side. Well go after you all around the world and bankrupt you. Youre a family man. You got children. You need to think again Youve got young childrenà ¢Ã¢â€š ¬Ã‚ ¦ You and your wife have to look after them, not waste their future Francis flipped telling the corporate giant never to mention his children again. Telling him that Disney were the thieves in all this, stealing peoples dreams, peoples rights to tell stories and stealing something that had been a part of Denises life since she was a child. After this outburst, Ackerman realised that the Fitzpatricks were serious about this and would not be backing down anytime soon. The two men continued the meeting in a civil manner, with Disney proposing a settlement out of court of $500,000 for the Fitzpatricks to give up the Piggey Pooh name. They refused this offer and met the Disney Company in the European Trademark courts in Alicante, Spain in January 2001 but no oral hearing happened, it was done behind closed doors. Three months later Francis has a phone call from their Trademark Agents telling him it was good news. They had won, Disneys objection had been overruled and they were entitled to registration as owner of the trademark. But this wasnt the end for the battle for the name Piggley Pooh. In March 2002, Royal Bank of Scotland, the bank funding the TV series decided that the name Pooh must come out of the name Piggley Pooh because of Disneys powerful stance in the marketplace was too threatening to the brand of Piggley Pooh. If a Piggley Pooh soft toy were on sale for $10 in childrens shops, Disney would sell Winnie the Pooh for $8. The Fitzpatricks were back to square one. Although they had beat the Disney Corporation in the courts they had not fully won. Out of this Piggley Winks was born and turned into a successful animated TV series.

Descriptive Language and The Lady of Shallot Essay -- The Lady of Shall

Descriptive Language and The Lady of Shallot In any piece of lyrical poetry, authors must masterfully use the language of the poem to covey the intended meaning. In order to ensure the meaning is not lost, it is imperative that the author incorporates various aspects of the narrative to escalate the poem past its face value. Alfred Tennyson’s poem â€Å"The Lady of Shallot† is no exception to the rule. From lines like â€Å"blue unclouded weather† and â€Å"the gemmy bridle glitter’d free†, one can draw that descriptive language is Tennyson’s tool to revealing the underlying meaning (Griffith 334). In each of the four parts of â€Å"The Lady of Shallot†, Tennyson uses descriptive language to convey his intended meaning to the audience. Tennyson uses Part I to show the setting of the poem, and introduces the Lady of Shallot to the audience. Part I starts off with a description of â€Å"Long fields of barley and†¦rye that clothe the wold (hilly, open country)† (Griffith 332). From this line in the opening stanza, the reader already gets a sense of where the poem takes place, a gently rolling countryside of utmost beauty. In the second stanza, lines like â€Å"Willows whiten, aspens quiver, little breezes dusk and shiver† further our mental picture of the setting (Griffith 332). Later in the stanza, we learn of â€Å"four gray walls, and four gray towers† and that â€Å"the silent isle imbowers the Lady of Shallot† (Griffith 332). Tennyson’s description in the last couple of lines of this stanza introduces the Lady of Shallot and gives a feeling of her isolation (which is quite important toward the poem’s meaning, and will be built on later in the piece). The final stanza in Part I tells how early morning workers â€Å"hear a song that echoes cheerly ... ...tiful and powerful. As soon as the Lady of Shallot decides to leave the tower, she knows her fate. And after she dies, the people of Camelot finally learn of the â€Å"fairy Lady of Shallot† (Griffith 332). Tennyson’s descriptive language in â€Å"The Lady of Shallot† is beautiful, and drastically enhances the meaning of the poem. The description of everything in the outside world is so vivid that it brings the Lady of Shallot to loose everything she has ever known. She is willing to give up her life to experience the brilliant things seen in her mirror†¦even if it is only for a few moments. Without Tennyson’s eloquent descriptiveness, â€Å"The Lady of Shallot† is much more than mere words. Bibliography: Work Cited Griffith, Kelley. â€Å"The Lady of Shallot† Narrative Fiction. Ed. Ted Buchholz. Fort Worth: Harcourt Brace College Publishers. 1994. 332-336.

Skema Answer Manufacturing Proces 2

FACULTI OF MECHANICAL ENGINEERING UNIVERSITI MALAYSIA PAHANG BMM3643 (Sem II 2012/13) Assignment #2 1. a) Define the various regimes of cold working,warm working,and hot working in terms of the melting point of the material being formed. b) Indicate some of the advantages of cold working relative to warm and hot working. c) What are some of the negative aspects of hot working? (8 marks) Answer a) The temperatures required for hot working generally exceed 0. 6 times the melting point of the material on an absolute temperature scale.Cold working generally requires temperatures below 0. 3 times the melting point, and warm working is the transition region, between 0. 3 and 0. 6 times the melting point. b) Advantages of cold working are; i) better accuracy, ii) better surface finish, iii) increased strength due to work hardening, iv) possible directional properties due to grain flow, and v) no heating of work required. c) Disadvantages associated with hot working involve the reactions whi ch may be promoted by elevated temperature, such as rapid oxidation.Tolerances are poorer and the metallurgical structure will be nonuniform if the amount of deformation or thermal history varies throughout the product. 2. a) What is the difference between open-die and impression-die forging? b) Explain the reasons why the flash assists in die filling, especially in hot forging. c) Why are heated dies generally employed in hot-press forging operations? (8 marks) Answer a) Open-die forging does not confine the flow of metal in all directions, so the final shape is dependent upon the manipulation and skill of the equipment operator.Impression-die forging operations confine metal flow in all directions to provide good repeatable control of size and shape. b) The flash is excess metal which is squeezed out from the die cavity into the outer space between the two dies. The flash cools faster than the material in the cavity due to the high a/h ratio and the more intimate contact with the relatively cool dies. Consequently, the flash has higher strength than the hotter workpiece in the die cavity and, with higher frictional resistance in the flash gap, provides greater resistance to material flow outward through the flash gap.Thus, the flash encourages filling of complex die cavities. c) Heated dies are usually employed in press forging because the long time of die contact with the hot workpiece would otherwise permit considerable surface cooling and could produce cracking of the surface. 3. d) List some of the products produced on a rolling mill. e) In rolling of steel, what are the differences between a bloom, a slab, and a billet? f) Rolling may be described as a continuous forging operation. Is this description appropriate? Explain. (8 marks) Answer ) Rolled products include flat sheet and plate stock, round bar and rod stock, rails, structural shapes such as Ibeams and channels. b) A bloom is a rolled steel workpiece with a square cross section of about 150 mm b y 150 mm. The starting work unit for a bloom is an ingot heated in a soaking pit. A slab is rolled from an ingot or a bloom and has a rectangular cross section of about 250 mm by 40 mm. A billet is rolled from a bloom and has a square cross section of about 40 mm by 40 mm. c) This is a good analogy. Consider the situation of forging a block to a thinner cross section through ncrements (as in incremental forming). As the number of stages increases, the operation eventually approaches that of the strip profile in rolling. 4. g) Distinguish between direct and indirect extrusion. h) What is centerburst defect? How would you go about preventing centerburst defects in extrusion? i) What are some of the attractive features of the extrusion process? (8 marks) Answer a) In direct extrusion, also known as forward extrusion, a metal billet is loaded into a container, and a ram compresses the material, forcing it to flow through a die opening at the opposite end of the container.In indirect ext rusion, also known as backward extrusion, the die is incorporated into the ram, and as the ram compresses into the metal billet, the metal is forced to flow through the die opening in a direction that is opposite (backwards) of the ram motion. b) Centerburst defects are attributed to a state of hydrostatic tensile stress at the centerline of the deformation zone in the die. The two major variables affecting hydrostatic tension are the die angle and extrusion ratio.These defects can be reduced or eliminated by lowering the die angle, because this increases the contact length for the same reduction and thereby increases the deformation zone. Similarly, a higher extrusion ratio also increases the size and depth of the deformation zone, and thus will reduce oreliminate the formation of these cracks. c) The extrusion process offers a number of attractive features. Almost any crosssectional shape can be extruded, including many that could not be achieved by rolling. Size limitations are f ew. No draft is required, and the amount of reduction in a single step is limited only by the capacity of the quipment. Frequently only one die is required for a product. Because only a single die change is required to change products, small production quantities are economically feasible. Dimensional tolerances are quite good. 5. j) What is wire drawing and bar drawing? k) Why are multiple passes usually required in wire-drawing operations? l) Name the important process variables in drawing, and explain how they affect the drawing process. (8 marks) Answer a) Wire and bar drawing are bulk deformation processes in which the cross section of a wire or bar is reduced by pulling (drawing) it through a die opening. ) Because the reduced section of material is subjected to tensile loading in the wire drawing process, the possible reduction is limited by the onset of fracture. In order to affect any significant change in size, multiple draws are usually required. c) The important variable s include: * Yield stress, Y ; it directly affects the draw stress and die life. * Die angle, ?. The die angle in the deformation zone affects the redundant work; in the entry area, the die angle is important for encouraging lubricant entrainment. * Friction coefficient, ?. The friction coefficient affects the frictional component of work and, hence, the draw stress. Reduction in area. As described, there is a limit to the reduction in area that canbe achieved in drawing. * Lubrication condition. Effective lubrication reduces friction, but also may lead to a rough surface due to the orange peel effect. 6. m) Estimate the roll force and power for annealed low-carbon steel strip 200 mm wide and 10 mm thick, rolled to a thickness of 6 mm. The roll radius is 200 mm, and the roll rotates at 200 rpm. Let ? = 0. 1. n) Plot the force vs. reduction in height curve in open-die forging of a solid cylindrical, annealed copper specimen 2 in. high and 1 in. n diameter, up to a reduction of 70%, f or the cases of (a) no friction between the flat dies and the specimen, (b) ? = 0. 25, and (c) ? = 0. 5. Ignore barreling and use average-pressure formulas. (Given : For annealed copper we have K = 315 MPa = 46,000 psi and n = 0. 54) Answer a) The roll force can be estimated as below; L=R? h=2004=28. 3 and have=10+62=8 mm From Table 2. 3 on p. 37, K = 530 MPa and n = 0. 26. The strain is ? =ln106=0. 5108 The average yield stress can be obtained from Eq. (2. 60) on p. 71 as Y=K? n+1n+1=530(0. 5108)1. 261. 26=180 MPa and Y'=(1. 15)Y=180 MPa Therefore, F=L?Y'1+? L2have =0. 02830. 2(207)1+0. 1(28. 3)2(8) =1. 38 MN The power per roll is given by; P = ? FLN60,000=? (1. 38 ? 106)(0. 0283)(200)60,000 or P = 409 kW. b) For annealed copper we have K = 315 MPa = 46,000 psi and n = 0. 54. The flow stress is Yf=(315 MPa)? 0. 54 where the absolute value of the strain is ?=lnhoh From volume constancy, we have ?4r2ho=? 4r2h or r=ro2hoh Note that = 0. 5 in and ho = 2 in. The forging force is given a s: F=Yf1+2? r3h(? r2) Some of the points on the curves are the following: % Red. | Forging Force, MN| | ? = 0| ? = 0. 25| ? = 0. 5| 10| 0. 053| 0. 055| 0. 058|

The eNotes Blog Mo Yan Wins the 2012 Nobel Prize forLiterature

Mo Yan Wins the 2012 Nobel Prize forLiterature This morning, the Nobel Prize for Literature  was announced.   The committee has granted the prestigious award to 57-year Chinese   author Mo Yan. In its press release, the Nobel Committee says that Mo Yan was selected for his writing that merges â€Å"hallucinatory realism (with) folk tales, history and the contemporary.† The choice, though widely lauded, has its critics as well. Although the subjects Yan typically writes about are non-political, the writer has been embraced by the Communist Party, something that gives dissident writers and others pause. Despite political concerns, few would argue that Mos work is not brilliant. His subject matter typically examines rural Chinese life through magical realism. Mos penchant for narrators like talking animals and his inclusion of elements from Chinese fairy tales has drawn comparisons of his work to that of Colombian author  Gabriel Garcia Marquez. Perhaps Mr. Mos best-known work in the Western world is his novel  Red Sorghum.  Published in 1986 and translated into English in 1992,  Red Sorghum  is a bandit-laced tale about the trials of life for rural Chinese. The novel was made into a  movie in 1987. Born in the eastern Chinese province of Shandong in 1955 to farming parents, Mo Yan is the pen name of Guan Moye.   Mo was a teenager during the Cultural Revolution. For several years, he took various agricultural jobs and then joined the Peoples Liberation Army. His first short story, Falling Rain on a Spring Night, was published in 1981.   Many more short stories and novels have since been published. His latest,  Life and Death Are Wearing Me Out,  was written in 2006 and translated into English in 2008.

Definition and Examples of Text Linguistics

Definition and Examples of Text Linguistics Text linguistics is a branch of linguistics concerned with the description and analysis of extended texts (either spoken or written) in communicative contexts. Sometimes spelled as one word, textlinguistics (after the German Textlinguistik). In some ways, notes David Crystal, text linguistics overlaps considerably with . . . discourse analysis and some linguists see very little difference between them (Dictionary of Linguistics and Phonetics, 2008). Examples and Observations In recent years, the study of texts has become a defining feature of a branch of linguistics referred to (especially in Europe) as textlinguistics, and text here has central theoretical status. Texts are seen as language units which have a definable communicative function, characterized by such principles as cohesion, coherence and informativeness, which can be used to provide a formal definition of what constitutes their textuality or texture. On the basis of these principles, texts are classified into text types, or genres, such as road signs, news reports, poems, conversations, etc. . . . Some linguists make a distinction between the notions of text, viewed as a physical product, and discourse, viewed as a dynamic process of expression and interpretation, whose function and mode of operation can be investigated using psycholinguistic and sociolinguistic, as well as linguistic, techniques.(David Crystal, Dictionary of Linguistics and Phonetics, 6th ed. Blackwell, 2008) Seven Principles of Textuality [The] seven principles of textuality: cohesion, coherence, intentionality, acceptability, informativity, situationality, and intertextuality, demonstrate how richly every text is connected to your knowledge of world and society, even a telephone directory. Since the appearance of the Introduction to Text Linguistics [by Robert de Beaugrande and Wolfgang Dressler] in 1981, which used these principles as its framework, we need to emphasize that they designate the major modes of connectedness and not (as some studies assumed) the linguistic features of text-artifacts nor the borderline between texts versus non-texts (c.f. II.106ff, 110). The principles apply wherever an artifact is textualized, even if someone judges the results incoherent, unintentional, unacceptable, and so on. Such judgments indicate that the text is not appropriate (suitable to the occasion), or efficient (easy to handle), or effective (helpful for the goal) (I.21); but it is still a text. Usually, disturbances or i rregularities are discounted or at worst construed as signals of spontaneity, stress, overload, ignorance, and so on, and not as a loss or a denial of textuality.(Robert De Beaugrande, Getting Started. New Foundations for a Science of Text and Discourse: Cognition, Communication, and the Freedom of Access to Knowledge and Society. Ablex, 1997) Definitions of Text Crucial to the establishment of any functional variety is the definition of text and the criteria that have been used to delimit one functional variety from another. Some text-linguists (Swales 1990; Bhatia 1993; Biber 1995) do not specifically define text/a text but their criteria for text analysis imply that they are following a formal/structural approach, namely, that a text is a unit larger than a sentence (clause), in fact it is a combination of a number of sentences (clauses) or a number of elements of structure, each made of one or more sentences (clauses). In such cases, the criteria for distinguishing between two texts are the presence and/or absence of elements of structure or types of sentences, clauses, words, and even morphemes such as -ed, -ing, -en in the two texts. Whether texts are analyzed in terms of some elements of structure or a number of sentences (clauses) that can then be broken down into smaller units, a top-down analysis, or in terms of smaller units such a s morphemes and words that can be put together to build the larger unit of text, a bottom-up analysis, we are still dealing with a formal/structural theory and approach to text analysis. (Mohsen Ghadessy, Textual Features and Contextual Factors for Register Identification. Text and Context in Functional Linguistics, ed. by Mohsen Ghadessy. John Benjamins, 1999) Discourse Grammar An area of investigation within text linguistics, discourse grammar involves the analysis and presentation of grammatical regularities that overlap sentences in texts. In contrast to the pragmatically oriented direction of text linguistics, discourse grammar departs from a grammatical concept of text that is analogous to sentence. The object of investigation is primarily the phenomenon of cohesion, thus the syntactic-morphological connecting of texts by textphoric, recurrence, and connective. (Hadumod Bussmann, Routledge Dictionary of Language and Linguistics. Translated and edited by Gregory P. Trauth and Kerstin Kazzazi. Routledge, 1996)

Multinational Corporation and State Relations in Emerging Markets Essay

Multinational Corporation and State Relations in Emerging Markets (there are lots of other possible topics) - Essay Example The situations suggest that a possible synergy exists between an MNC and an emerging state. There are strong advantages in multinationals setting up their operations, or at least part of it, in emerging countries, since this may establish a mutually beneficial arrangement. At the beginning, this is usually the case. Time passes, the country’s economy develops and the increasingly affluent population creates higher demand for the firm’s products. With the rising standard of living, the state finds the need to raise legislated wages, which usually works against the interests of the multinational corporation – because after all, MNCs seek to lower their costs. The MNC’s costs rise and their reason for setting up operations in a developing country slowly goes away. Other sources of disagreements emerge, such as the exploitation of natural resources, the repatriation of earnings out of the host economy and to the MNC’s headquarters in the home country, t he regulation of certain policies and processes considered standard by the MNC but unacceptable by the locality, and so forth. There is therefore a difference of roles and interests between the MNC and the host state, which may sometimes lead to conflicting goals; to maintain their working relationship, a balance of these interests must necessarily be achieved for the MNC to continue its productive and marketing activities in the country and for that country’s economy to continue to reap the benefits of the MNC’s presence. This study examines the dynamics and implications of the relationships between MNC and host countries. The purpose is to understand how these relationships are changing over time in response to the increasing globalization, and how problems about them may be addressed and resolved. Multinational corporation defined There is no formal definition of what a multinational corporation essentially is (Ajami, Cool, Goddard & Khambata, 2006, p. 6), and the t erm is often applied to a variety of business entities which have nothing in common except that they have some form of international participation or involvement. Some see multinationals loosely as companies that have parts of their production located in two or three different countries (Hoos, 2000), and some with markets in two or three different countries. Some see the MNC as â€Å"a number of affiliated business establishments† (Logar, 1980, p. 7), while others define it as â€Å"a single organization with a need to coordinate its operations across multiple environments† (Haghirian, 2010, p. 46). The presence of multinationals in a country need not be directly through wholly-owned subsidiaries. MNCs can operate through joint ventures with local firms, or by acquiring controlling interests in businesses already strategically located in a particular country. MNC interests with the least commitment to the country is in the form of exports where the products are shipped to the country in completion of orders from institutional customers, followed by franchises or licenses which the MNC may extend to established firms that would like to operate under the license and with the trade mark of the MNC. In these cases, the multinational corporation could extend their presence in another country without directly investing in it (Johnson & Turner, 2009, p. 247). An example of such MNC operation is seen in the Taiwanese market. Quanta Computers, Inc., a Taiwanese firm, served as contract

Preaching from the Old Testament Essay Example | Topics and Well Written Essays - 2500 words

Preaching from the Old Testament - Essay Example The preacher may have the ability to sermonize putting the thoughts down neatly on paper; yet the preacher may not be able to forcefully and powerfully deliver them to the listener's heart. The whole humankind must preach under the anointing of the Holy Spirit for the sermon to live. When a sermon really lives, the listening audience will crave for more of the same. The answer to many of the problems concerning empty church buildings could be conquered in the pulpit, even before the preacher enters it to preach. For this to happen, the preacher must take preaching seriously. In this paper, we would be discussing on the values, if any, of preaching the difficult passages of the Old Testament to a Congregation. We would be discussing on the Hermeneutics and Homiletics of preaching along with Old Testament Exegesis in the preaching of the Old Testament. Young preachers are often told, 'You must preach Christ from the Old Testament.' But for example, having just finished preaching on Psalm 121, and realizing that we have said little or nothing about Jesus, we may be in great agitation, and search desperately for a magic formula which will help us to preach Christ from the Old Testament. ... passage shows why Jesus is needed; or (3) the passage speaks about something that reminds us of Jesus; or (4) the passage speaks about something that could not be accomplished without Jesus; or (5) the passage shows us an individual/group unlike Jesus. The point here is not to comment on whether these five ways are helpful or not so much as the inherent danger in the approach. It is likely to produce preaching that is wooden and insensitive to the rich contours of biblical theology. Its artificiality would lie in our going through the motions of exegeting and expounding the Old Testament and then, remembering the formula, tidying our notes in order to align them with it. The net result over an extended period of time might be akin to that produced by children's sermons in which the intelligent child soon recognizes that the answer to the minister's questions will always be one of: 1. God; 2. Jesus; 3. Sin; 4. Bible; 5. Be Good. Of course we need to work with general principles as we develop as preachers; but it is a far greater desideratum that we develop an instinctive mindset and, corresponding to that, such a passion for Jesus Christ himself, that we will find our way to him in a natural and realistic way rather than a merely formulaic way. This is a much bigger issue than how we preach Christ from the Old Testament, for at least two reasons. First, because many sermons from the Gospels - where the focus is explicitly on the person of Jesus - never mind from the Old Testament is far from Christ-centred. How is this possible The preacher has looked into the text principally to find himself and his congregation, not to find Christ. The sermon is consequently about 'people in the Gospels' rather than about Jesus Christ who is the gospel. The real question the